1. How has the outward and inward flow of people, ideas and things to and from Africa had in impact on African music, and vice versa?
2. How do general features of African musical style become meaningful in specific situations? For example, how do call-and-response, multipart texture, repetition and improvisation operate in a given cultural, social, historical and/or personal case?
3. How does the Agbekor performance reflect the history and culture of the Ewe people